graphic designer Studio

Gaza: A Test for Conscientious Minds

According to Nasim Ardabil, the head of the Assembly of Islamic Revolution Designers of Ardabil Province, in a note about the aftershocks of “Operation al-Aqsa Storm” wrote: the brutal genocidal attacks of the Zionist regime in the Gaza Strip recalled the words of Imam Khomeini (may God bless him), who said “the Zionist regime is a cancerous tumor and must be removed.” Palestine is an international issue, and the situation that now prevails in that land is an overt crime and genocide, especially the killing of children.Palestine has been occupied for many years, and today the predatory nature of the usurping Zionist regime once again painted painful and tragic scenes before the eyes of the world.The bombing of Al-Mawaddani (the missionary) hospital is an immoral act that, besides being condemned by international bodies, has been reproached by all freedom‑lovers of the world.This action demonstrated that the Zionist regime has no hesitation in shedding the blood of the innocent—especially children—to achieve its goals, and that the term “human rights” means nothing more than a slogan to it.This incident proved that the Zionist regime, again for its own interests, has not abandoned genocide and the killing of children, that human rights mean

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An article by Ardabil artist Navid Achgan has been accepted for presentation at the 20th International Conference on Language, Literature, Culture, and History, to be held in Georgia in 2024

Acceptance of an Article by Ardabil Artist Navid Achgan at the 20th International Conference on Language, Literature, Culture, and History in Georgia, 2024 The 20th International Conference on Language, Literature, Culture, and History will be held on November 8, 2024 (18 Aban 1403) in Georgia, featuring multiple specialized sessions, keynote speeches, paper presentations, academic workshops, and scholarly discussions. The event is organized by the International Organization for Academic Studies, in collaboration with participating universities and research institutions from various countries. An article by the Ardabil artist Navid Achgan, titled “A Critical Study of Formalism in Contemporary Iranian Art with a Focus on National Identity,” has been fully accepted for presentation at this international conference. In his remarks, Achgan discussed the role of media in shaping and transforming identity, stating: “Today, the media’s influence on the formation and transformation of identity is evident to all. Television, in particular, due to its wide reach and accessibility, plays a significant role in guiding and influencing national identity. At the same time, a formalist perspective has dominated contemporary art to the extent that even Iranian television programming increasingly adopts Western stylistic forms.” Speaking on the concept of national identity, Achgan said: “A nation’s past

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Acceptance of an article by Ardabil artist Navid Achgan at the 9th International Research Conference on Humanities in Thailand, 2024

Acceptance of an Article by Ardabil Artist Navid Achgan at the 9th International Research Conference on Humanities and the 6th International Congress on Civil Engineering, Architecture, and Urban Development of Asia in Thailand The 9th International Research Conference on Humanities and the 6th International Congress on Civil Engineering, Architecture, and Urban Development of Asia, focusing on the promotion and development of a culture of research, will be held at Kasem Bundit University in Bangkok, Thailand. An article by the Ardabil artist Navid Achgan, entitled “The Ritual of Mithraism and Ancient Iranian Sports,” has been fully accepted for presentation at this conference. In an interview with Nasim Ardabil News Agency, Achgan spoke about Iranian culture and heroic sports, saying: “In Iranian culture, both before and after Islam, the tradition of heroism has always played a powerful role. Iranians have always admired their heroes. The Iranian heroic sport, which dates back to ancient times, is considered one of the oldest traditional sports, and in the Mithraic ritual, it holds a highly valuable position.” Speaking about Zurkhaneh (the traditional Iranian gym), Achgan added: “Without a doubt, anyone who hears the name ‘Zurkhaneh sport’ immediately recognizes that it belongs to ancient Iran. The Mithraic

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Acceptance of an Article by Ardabil Artist Navid Achgan at the 1st National Conference on Distinguished Teachers, 2024 (1403)

Acceptance of an Article by Ardabil Artist Navid Achgan at the 1st National Conference on Distinguished Teachers, 2024 (1403) The First National Conference on Distinguished Teachers, in collaboration with Rah Danesh Institute of Higher Education in Babol, Taqdis Scientific Center, and the faculties of Psychology, Educational Sciences, Social Sciences, Cognitive Sciences, and Islamic Studies, is held annually at Rah Danesh Institute of Higher Education, Babol.The main objective of this conference is to create a platform for the exchange of information and to present the latest research achievements in its various thematic areas. An article by the Ardabil artist Navid Achgan, titled “Art from the Perspective of Sigmund Freud,” has been fully accepted for presentation at this conference. In discussing Freud’s view of art, Achgan explained: “Although Sigmund Freud was a psychoanalyst, his ideas about the unconscious mind have inspired many artists and art critics. He repeatedly acknowledged his interest in art and literature. Freud believed that human beings channel their repressed desires in alternative ways — and among them, the artist realizes these repressed desires through artistic creation. In his view, the aesthetic evaluation of an artwork does not fall within the scope of psychoanalysis; rather, psychoanalysis can only interpret

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An article by Ardabil artist Navid Achgan has been accepted for presentation at the 9th National Conference on the Foundations of Iranian Visual Arts

Acceptance of an Article by Ardabil Artist Navid Achgan at the 9th National Conference on the Foundations of Iranian Visual Arts The 9th National Conference on the Foundations of Iranian Visual Arts, held with a focus on “Illustrating Literary Texts” and the theme “Exploring the Continuity Between Art and Literature through New Interpretations in the Illustration of Iranian Literary Works,” was organized in collaboration with the Iranian Association of Visual and Research Arts.The conference took place on February 28–29, 2024 (9–10 Esfand 1402) at Imam Reza Hall, University of Sistan and Baluchestan. In this academic event, 42 research papers were accepted in line with the conference’s thematic areas, of which 23 papers were presented through four in-person panels and one virtual panel held simultaneously. Among the accepted papers was an article by the Ardabil artist Navid Achgan, titled “The Impact of Light and Color in Iranian Painting.”During the conference, Achgan delivered a speech on this topic, explaining: “In Iranian art, color represents existence, and light plays the central role. Color has always been an influential element of art throughout human life. Traditional colors have deeply affected Iranian culture and art from ancient times to the present.” He continued: “In Iranian

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