Navid achgan

Unveiling of the Books “Silent Standing Stones” and “Pottery: A Document of Identity” in Ardabil

According to Nasim Ardabil, the books “Silent Standing Stones” and “Pottery: A Document of Identity”, authored by Navid Ahchgan, were unveiled at Ketab Shahr Ardabil with speeches from Dr. Hassan Yousefi, along with professors and artists in attendance. Dr. Yousefi spoke about the history and antiquity of the Shahriyeri standing stone site, stating: “The Shahriyeri site was first identified in 1978 by the English archaeologist Charles Burney. The first excavation season at this site took place in 2003 (1382 in the Iranian calendar) under the supervision of Dr. Nobari, an archaeologist and university professor, for over a month. The goal was to classify the megalithic graves and identify nearby ancient sites. On 29 September 2002 (1381/07/07), the site was officially registered under number 6162 as Shahriyeri and the Ushaghlar School.” One of the unique historical sites of Meshginshahr County is this Shahriyeri site, which was once a town and settlement. According to Dr. Yousefi, before the first millennium, during the Neolithic period, this area was inhabited and was part of a thriving regional civilization. Thus, Shahriyeri was one of the important settlements in the region during the late second millennium and early first millennium BCE. The archaeological site extends along

< Continue reading

Unveiling of the Book on the Influence of the Blue-and-White Chinese Style on Ceramic Art in Safavid Iran

According to Nasim Ardabil, Ayatollah Seyed Hassan Amoli, speaking to artisans and handicraft enthusiasts of Ardabil on the occasion of World Handicrafts Day at the Khatayi Gallery of the Sheikh Safi al-Din Historical and World Heritage Complex, stated: “Ardabil province must introduce its talents to the world more than ever. There was a time when the province’s entire industry relied on handicrafts, and people’s daily lives were intertwined with them. Even without modern advancements, handicrafts exhibited remarkable human ingenuity.” He added: “In handicrafts, we must strive for greater refinement and higher quality in production. Officials should support artists, as those who invest their time, vision, and youth into this craft often do not earn enough and therefore need backing.” The Ardabil Friday Imam continued: “Our handicrafts must convey a message. For example, the Alevis in Turkey promote the idea of peace through their crafts. Similarly, handicrafts can play a role in introducing the various regions of Ardabil province.” Ayatollah Amoli emphasized that creativity and innovation are paramount in this field and must be strengthened. He added: “We should benefit from global experiences, and I expect officials to address the challenges faced by artisans, use local handicrafts as gifts, and create

< Continue reading

The second and third volumes of the Historical Encyclopedia of Ardabil have been published

According to Nasim Ardabil, Seyed Mehdi Javadi, the scientific and executive head of the Historical Encyclopedia of Ardabil, announced in a meeting of the Scientific Council of the encyclopedia that the second volume, covering the counties of Moghan and Meshginshahr with 579 pages, and the third volume, covering the counties of Khalkhal and Kosar with 293 pages, have been prepared. With the approval of Ayatollah Seyed Hassan Amoli, the province’s representative in the Assembly of Experts and the founder of this project in Ardabil, and the endorsement of the Scientific Council, these volumes have been published in a limited edition by Mohaghegh Ardabili Publications. Referring to the publication and unveiling of the first volume of the encyclopedia (focused on the center of Ardabil province) in 2021, Javadi stated in a meeting of the Provincial Council for Public Culture attended by Hadad Adel, president of the Academy of Persian Language and Literature: “Undoubtedly, the proper unveiling of these two valuable works, covering the northern and southern regions of the province, along with recognition of the active researchers in this field, is one of the serious demands of the people, as well as cultural and historical communities of the province, especially ahead

< Continue reading

Navid Achgan was honored as the Successful Youth of the Year 2022 in the “Outstanding Youth of Iran” Festival (Visual Arts Category)

According to the Public Relations Office of the Ardabil Art Bureau, the grand Youth Day celebration was held in honor of Youth Week and the birth anniversary of Hazrat Ali Akbar (A.S.), with the focus on honoring the selected winners of the “Outstanding Youth of Iran” Festival, and in remembrance of the Congress of 3,400 Martyrs of Ardabil Province, at the Fadak Cultural and Art Hall. This ceremony, held on Saturday, March 4, 2023, with the presence of Seyyed Hamed Ameli (Governor of Ardabil), provincial executive officials, secretaries and members of Ardabil youth NGOs, and a large audience of young people, included programs such as a live music performance by the Erfan Music Group led by Mohammadreza Erfani, featuring Dariush Shah-Nazar (piano), Amin Mousavi (tar), Mohammadreza Erfani (violin), and vocals by Yashar Hashemi, as well as a theatrical performance by the Ardabil Shadi Theatre Group led by Mirjalil Mirhamidzadeh, starring Hamid Hamrang, Mohsen Bahaminpour, Yahya Pouramini, Mahdi Sadeqi, Mirjalil Mirhamidzadeh, and Davoud Ronaghi, focusing on the theme of “informed marriage,” followed by the honoring of the 12 selected youths of the festival and a book unveiling. In this ceremony, the following twelve outstanding youths of the “Iran Zamin” Festival were

< Continue reading

The Exhibition of Student Achievements in the Handicrafts Program of Mohaghegh Ardabili University Held at Khataei Art Gallery

According to Nasim Ardabil, the exhibition of student achievements from the Handicrafts Department of Mohaghegh Ardabili University was held at the Khataei Art Gallery. Nazli Ne’mati, Secretary of the Handicrafts Student Association of Mohaghegh Ardabili University, stated that this exhibition was organized by the Scientific Association of Handicrafts of the university in cooperation with the Ardabil Province Department of Cultural Heritage, Tourism, and Handicrafts, with the presence of Dr. Abbas Fanni Asl (Deputy of Cultural and Social Affairs of Mohaghegh Ardabili University), Tohid Delavar Ghavam (Deputy for Handicrafts at the Provincial Cultural Heritage Department), Professor Rajabi Asl, Ms. Moradian, and Navid Achgan, instructors at Mohaghegh Ardabili University, along with students and local artists, held from September 1 to 5, 2025, at the Khataei Art Gallery. Ms. Moradian, an instructor at Mohaghegh Ardabili University and curator of the exhibition, explained that the exhibition was held with the aim of supporting students and preserving and promoting the art of handicrafts. A total of 284 works by 31 students of the Handicrafts Department were showcased, featuring various fields including illumination, miniature painting, woodwork, metalwork, dyeing, sculpture and 3D art, mixed media, calligraphy and typography, carpet and textiles, ceramics, and pottery. She added that

< Continue reading

Opening of the “I Want to Be Different” Exhibition in Ardabil

According to Nasim Ardabil, Navid Achgan, the curator of the exhibition, announced the opening of the “I Want to Be Different” exhibition and said that the first experimental group exhibition of visual arts titled “I Want to Be Different” was inaugurated on September 9, 2024, at the “Ghavam al-Din Ardabili” Art Gallery located in the Fadak Cultural and Art Center, with the presence of officials, senior cultural managers, veteran artists, artists, and art enthusiasts. Regarding the exhibition, Navid Achgan noted that 90 artworks focusing on “hope for the future, Iranian culture and civilization, and nature” were presented by 20 art students from Mohaghegh Ardabili University. He emphasized that the exhibition is the result of several months of effort by the students, who through their persistence succeeded in creating a memorable exhibition. Speaking about the artistic journey, Achgan stated that expressing emotions has always been an inseparable part of an artist’s life, serving as a guiding light along their path. He stressed that artists who work with love for culture and art are valuable and deserve appreciation. The exhibition showcases works by: Hasti Arjmand, Aisa Andarabi, Sara Hadadi, Sevil Khorasani, Sadaf Khalilpour, Sanaz Rezapour, Saba Rezapour, Sama Zare’, Mobina Sobhani-pour, Aylin

< Continue reading

Opening of the “Khosh Gheyrat” Poster Exhibition in Ardabil

According to Nasim Ardabil, the “Khosh Gheyrat” poster exhibition was opened on Thursday, June 8, 2023, on the fortieth day after the martyrdom of Hamidreza Aldaghi, with the presence of officials from cultural and artistic organizations at the Shahram Rezaei Memorial Art Gallery of Ardabil Art Bureau. At the beginning of the exhibition, the Deputy for Cultural and Artistic Affairs of the Ardabil Art Bureau stated in the Shahram Rezaei Memorial Gallery that this exhibition has been organized by the Islamic Revolution Designers’ Assembly in cooperation with the Secretariat of the Congress of 3,400 Martyrs of Ardabil Province, the Arta Honar Mehr NGO, the Assembly of Cultural and Promotional Associations, and the Ardabil Art Bureau. Rahman Mojarrad, referring to the establishment of the Islamic Revolution Designers’ Assembly in Ardabil, added that Navid Achgan, head of this assembly, played a significant role in organizing this exhibition. A total of 34 works by artists from the provinces of Tehran, Isfahan, Alborz, Hormozgan, Yazd, Mazandaran, Gilan, and Ardabil are on display until June 15. He continued: Artists interested and committed to religious and spiritual arts have gathered in the Islamic Revolution Designers’ Assembly of Ardabil, and we hope this organization will lead to

< Continue reading

An article by Ardabil artist Navid Achgan has been accepted for presentation at the 20th International Conference on Language, Literature, Culture, and History, to be held in Georgia in 2024

Acceptance of an Article by Ardabil Artist Navid Achgan at the 20th International Conference on Language, Literature, Culture, and History in Georgia, 2024 The 20th International Conference on Language, Literature, Culture, and History will be held on November 8, 2024 (18 Aban 1403) in Georgia, featuring multiple specialized sessions, keynote speeches, paper presentations, academic workshops, and scholarly discussions. The event is organized by the International Organization for Academic Studies, in collaboration with participating universities and research institutions from various countries. An article by the Ardabil artist Navid Achgan, titled “A Critical Study of Formalism in Contemporary Iranian Art with a Focus on National Identity,” has been fully accepted for presentation at this international conference. In his remarks, Achgan discussed the role of media in shaping and transforming identity, stating: “Today, the media’s influence on the formation and transformation of identity is evident to all. Television, in particular, due to its wide reach and accessibility, plays a significant role in guiding and influencing national identity. At the same time, a formalist perspective has dominated contemporary art to the extent that even Iranian television programming increasingly adopts Western stylistic forms.” Speaking on the concept of national identity, Achgan said: “A nation’s past

< Continue reading

Acceptance of an article by Ardabil artist Navid Achgan at the 9th International Research Conference on Humanities in Thailand, 2024

Acceptance of an Article by Ardabil Artist Navid Achgan at the 9th International Research Conference on Humanities and the 6th International Congress on Civil Engineering, Architecture, and Urban Development of Asia in Thailand The 9th International Research Conference on Humanities and the 6th International Congress on Civil Engineering, Architecture, and Urban Development of Asia, focusing on the promotion and development of a culture of research, will be held at Kasem Bundit University in Bangkok, Thailand. An article by the Ardabil artist Navid Achgan, entitled “The Ritual of Mithraism and Ancient Iranian Sports,” has been fully accepted for presentation at this conference. In an interview with Nasim Ardabil News Agency, Achgan spoke about Iranian culture and heroic sports, saying: “In Iranian culture, both before and after Islam, the tradition of heroism has always played a powerful role. Iranians have always admired their heroes. The Iranian heroic sport, which dates back to ancient times, is considered one of the oldest traditional sports, and in the Mithraic ritual, it holds a highly valuable position.” Speaking about Zurkhaneh (the traditional Iranian gym), Achgan added: “Without a doubt, anyone who hears the name ‘Zurkhaneh sport’ immediately recognizes that it belongs to ancient Iran. The Mithraic

< Continue reading

Acceptance of an Article by Ardabil Artist Navid Achgan at the 1st National Conference on Distinguished Teachers, 2024 (1403)

Acceptance of an Article by Ardabil Artist Navid Achgan at the 1st National Conference on Distinguished Teachers, 2024 (1403) The First National Conference on Distinguished Teachers, in collaboration with Rah Danesh Institute of Higher Education in Babol, Taqdis Scientific Center, and the faculties of Psychology, Educational Sciences, Social Sciences, Cognitive Sciences, and Islamic Studies, is held annually at Rah Danesh Institute of Higher Education, Babol.The main objective of this conference is to create a platform for the exchange of information and to present the latest research achievements in its various thematic areas. An article by the Ardabil artist Navid Achgan, titled “Art from the Perspective of Sigmund Freud,” has been fully accepted for presentation at this conference. In discussing Freud’s view of art, Achgan explained: “Although Sigmund Freud was a psychoanalyst, his ideas about the unconscious mind have inspired many artists and art critics. He repeatedly acknowledged his interest in art and literature. Freud believed that human beings channel their repressed desires in alternative ways — and among them, the artist realizes these repressed desires through artistic creation. In his view, the aesthetic evaluation of an artwork does not fall within the scope of psychoanalysis; rather, psychoanalysis can only interpret

< Continue reading